Archive for January, 2008

Sir Ken Robinson: Do Schools Kill Creativity?

Penguin January 28th, 2008

Ken Robinson has an amazing speech about creativity. As artists, writers, designers, photographers, filmmakers, our essential job is being creative. Sure there’s the technical aspects of our craft. But those are merely a way to express our creativity. He goes on to talk about children and their capacity for creativity. The core of their creativity is their willingness to take a chance. They’re not frightened of being wrong. “If you’re not prepared to be wrong, you’ll never create anything original.”

Most of us are products of universal education. We’re trained to be productive and good workers and to fit in. For some places and some countries, that’s what they need. We’re privileged. We have the freedom to create. We may not be able to make a ton of money doing it. But there is that off chance that we can and will. As an artist, we don’t care about the money. We care about our art. Sometimes people get that art. But that’s not important either.

Picasso said, “All children are artists, we just grow out of it.” Robinson proposes that we’re educated out of it. This is not to say that science and math shouldn’t be taught. These are definitely vital too. But the arts are woefully under represented. Instead of required as part of the curriculum, they’re offered as electives instead. But intelligence is multifaceted.

Intelligence is diverse. It’s visual, audial, kinesthetic, abstract, moving. Film encompasses all of that. Fundamentally, I believe that the best films, those that touch your soul, those that are entertaining, those that are timeless, embody all these aspects. You have the visual aspect of the film. You have movement in your actors or in the camera. You have the audial in dialgoue, music, and sound effects. You have the kinesthetic of your characters dealing with a situation or conflict. And then you have the abstract in symbolism and themes.

Intelligence is also dynamic. When you collaborate with other artists, there’s this synergy that creates something spectacular. Filmmaking is the essence of collaboration. As a director, you’re working with others to see your screenplay come alive. You have actors, your cinematographer, your sound engineer, your crew, and then you have your audience. Without any of these people and their input, you’d be hard pressed to make anything at all.

Intelligence is also distinct. We all have this heart, this passion that drives us to create. We’re drawn towards communities that foster this. Whether you’re a designer or a filmmaker, you do it because it makes you come alive. When I talk about my new screenplay idea with Ninja, my eyes light up. I get excited and I just want to share.

What makes you come alive? Go and do that.

-Penguin

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Happy Birthday, Frank

Ninja January 27th, 2008

Ninja says

tib_miller_frank_fullphoto.jpg

Frank Miller turns 51 today!

Photo via newsarama

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Animator: Chris Harding

Penguin January 27th, 2008

When I first saw these animations, I thought there was something familiar about them. Did a bit of searching and found that Ninja had posted about his webcomic, We the Robots.

I love the style of Shoebox, that kind of 50’s edutainment style and the bunnies are so cute. I also like the use of skipping forward through the “reel” to cut out some of the boring stuff about distribution to get back to the heart of the story.

Born in ‘73, Chris Harding is a Flash animator out of Kansas City.

Here’s a sample/tutorial from his current work in progress, from Cold Hard Flash:


And then the snippet:


Read the whole interview at Cold Hard Flash

-Penguin

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Steampunk Nerf guns

Ninja January 26th, 2008

Ninja says

My brother sent this over this morning. Pretty cool what a little paint will do.

steampunk-nerf-guns.jpeg

via Tiffany

Purchasing links
+ Nerf N-Strike Maverick Dart Gun Blaster, $23.99
+ Two Nerf Clips and 10 Nerf Streamline Darts Kit, $36.99

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Screenwriter: Billy Ray

Penguin January 26th, 2008

Billy Ray, best known for writing Flightplan talks about screenwriting. He talks about the virtue of reading bad scripts, mainly to learn what not to do.

Subtext. Most writers have their characters say what they’re thinking. I think this stems from two things. First, the fear that the audience or the reader doesn’t get it. Two, that you, as the writer, have spent all this time coming up with the character’s back story, you want to show it off. A lot of times, this back story is for you and the actor. Have it come out in the parentheticals; give your actors something to work with.

Dilemma. A lot of characters don’t have a dilemma, a difficult decision they have to make. Where, no matter what they choose, things may turn out badly. This adds drama and conflict. Everyone can relate to this. Characters are keys for the audience to hook into your story. They empathize with them and relate to them. They can appreciate the difficulty that they’re being put through. Even with action movies, it’s really the characters that draw you in and make the action engaging.

He also goes on to talk about 5 screenplays all screenwriters should read: Broadcast News, Rocky, Ordinary People, Kramer vs Kramer, and The Wizard of Oz. Reading these scripts will help you with structure.

Links
+ Broadcast News (html)
+ Rocky (txt)
+ Ordinary People (pdf)
+ Kramer vs Kramer (html)
+ The Wizard of Oz (txt)

-Penguin

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Chindōgu Hay Fever Hat

Ninja January 25th, 2008

Ninja says

chindougu-tp-hat.jpg

During allergy season, I can be found wandering around the house clinging tightly to an oh-so-stylish roll of quilted toilet paper. This way, I can use as many sheets as necessary (and waste not) for my runny nose. Penguin was actually thinking about making me a holster so my hands could be free.

But then I found this hilarious invention—the great Chindōgu masterpiece, the Hay Fever Hat, created by Kenji Kawakami.

Via Japan Inc.

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Dynamic Duo sightings

Review: Juno

Penguin January 25th, 2008

Rating: 4/4 stars

There’s so much hype surrounding Juno. It may not live up to the hype, but it’s definitely a good movie. It’s about a 16 year old girl, Juno (Ellen Page) who gets pregnant and offers the child up for adoption.

What makes Juno so good? The spunky pop-reference laced dialogue. The fantastic acting from Page and everyone else (literally!). The folksy and tender soundtrack. The swing from in your face to tender and sweet. It’s an all around fantastic movie.

Go see it!

-Penguin

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I need to watch more Flight of the Conchords

Review: The Great Debaters

Penguin January 24th, 2008

Rating: 3.5/4 stars

The Great Debaters is about a debate team striving for gold in the Jim Crow south.

I’m not a racist person, and being a minority definitely helps me empathize about being discriminated against. But there’s no way that I could say I understood what it was like to be black and living in the south during the Jim Crow laws. There’s this scene early on when Dr. James Farmer, Sr. (Forest Whitaker), a preacher and dean of a black college, is driving with his family, hits and kills a pig. The pig farmer comes out with his buddy and the tension just skyrockets. You don’t know anything about these two people, but you know where they are and the time they’re in and that’s enough. The threat is compounded when one of the white men draws a gun. Anything can happen and you realize that this was the terror that these people were living under. And farmer, educated, respected, powerful (in his context) becomes nothing when come face to face with the white man.

Who would’ve thought a movie about debaters would be this interesting? Even the debating parts are interesting. But Denzel Washington, in his directorial debut, does the right thing and doesn’t focus too much on the debate aspects. The third act when they focus more on the debates, is probably the weakest point. Yes, he ties in a lot of stuff that happened before, but the focus is now on the debate. In a similar fashion to sports movies, you know who’s going to win. You want them to win!

There’s tremendous depth to The Great Debaters. It’s a shame that the title isn’t more interesting because there’s a beautiful gem under that plain title.

-Penguin

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