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Kenya: Day 11

Penguin May 26th, 2010

kenya-day-11

Pray for:
- pastoring Ken
- those remaining in my classes, that they would learn a lot

What happened:
- went to teach Jah Army, only half the class showed up.
- went home. lunch: meatballs + fries
- went to prestige to journal. saw ken & tom
- went to Kibra Academy. half the class showed up. taught how to write a screenplay. homework: write a 4 pg screenplay
- went to Junction, met up with Ken & tom. they worked on Zuki. we were at doorman’s, i ordered tomato soup
- went to Nairobi Java House for dinner, had a burger
- Tom went home
- sat around with Ken talking about life
- went home

From this point on, my blogging is going to become irregular. The only times I’m going to post are if I have a significant thought or comment. I will continue to do weekly reviews.



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Kenya: Day 10

Penguin May 25th, 2010

kenya-day-10

Pray for:
- kids have motivation and focus
- against the enemy’s tactics of discouragement and distractions

What happened:
- went to Kibera; Kigan and I miscommunicated and he went to wait for me at Kibera Academy; reviewed their loglines; taught about character development; homework: write biography for main character
- some local people heard about what I was doing and came to interview me
- did my devos
- went home for lunch
- went to Pristige Plaza, met with Gwatila and Ken to talk about Zuki. Started getting the overall arc down.
- went to Kibera Academy. Looked at the students’ book to see how they were progressing. A lot of them didn’t do the homework right. Or others had missed class. So class turned into a makeup session. Ended class early.
- went home

It was pretty discouraging today to see a good portion of the kids not doing their work. This is not to say that all of them are guilty, there were those who did try, and those need to be rewarded.

I just need to remind myself that I can only teach the material, they have to learn on their own.



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Kenya: Day 9

Penguin May 24th, 2010

kenya-day-9

Pray for:
- pastoral mentor
- opportunities for God to show up

What happened:
- woke up at 7:10 to travel into Kibera
- Kigan met me at Nairobi Kibera Academy and walked me into the heart of Kibera
- met some of Jah Army; have 6 in this post-high school class; had them share their stories; taught loglines; homework: write 5 loglines
- took the mutatu back to prestige
- did my devos
- went home
- went out to lunch with Ken; went to Westlands mall; had mutton masala
- went to Kibera to teach afternoon class
- continuing to learn Swahili
- went home

Today, I went into the heart of Kibera.

The ground I walked on was covered in garbage trampled by thousands of people. As I climbed the steep slope and crested the hill on to a pair of train tracks, I saw a whole nother world.

I saw the rest of Kibera.

If you’ve seen Slumdog Millionaire, you’ll have an idea of what Kibera looks like.

Kigan, one of the Jah Army, led me to their home, to their HQ. In the midst of the garbage, of the forgotten, of the refuse, there was this group of friends who group up together, who are trying to make it together, who are trying to give back to the community together. Jah Army.

They are artists. Singers, rappers, musicians, illustrators, painters, filmmakers, and photographers.

They use their skill and talent to make statements.

“Burn the rapist”
“Rape is wrong”
etc.

What kind of place is this where signs need to be made to remind people that rape is not a good thing. How does something like that even happen?

Do they embrace their status as disenfranchised? Do they buy into the fact that they are forgotten by the rest of society? Do they accept their lack of dignity as truth?

Whatever the rational responses are, I know that the kingdom of darkness is there. The enemy created the situation and the enemy continues to oppress God’s people, keeping them in bondage.

No amount of NGO work is going to “fix” Kibera or even poverty. Not to say that they shouldn’t try. But there is tremendous arrogance in any individual or any organization who says that they know how to solve poverty.



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Kenya: Day 8

Penguin May 24th, 2010

kenya-day-8

What happened:
- went to Nairobi Java House at adam’s arcade; got coffee, chatted w/ Ken
- went to Nairobi Chapel; Oscar Miuri’s, of Urbana fame, church
- went to Ken’s parent’s home
- lunch: rice + beef stew + fresh banana
- Ken loses his car keys for 20 min
- go to Gwatila’s place; met her parents
- went to Junction to watch Robin Hood, but we were already 30 min late
- went to Ken’s place to drop off his Redrock Micro rail kit
- sat around and talked about Zuki, film marketing, Nairobi televesion, and the Nairobi audience
- went home

It was interesting seeing Oscar outside of the Urbana context. So far, both times I’ve seen him speak (the first in class, the second, in person at Urbana 09), he was wearing what I would consider traditional African garb. This Sunday, as he got up to preach, he was dressed in a suit.

I don’t know what I was expecting, but that was definitely not it. In retrospect, it shouldn’t be all that surprising. You look around the crowd, you look at the people on the street, the majority of people are in dress shirts, suits, or the like. For him to wear traditional African dress would NOT be contextual.

That got me to thinking. Urbana, and Intervarsity as a whole, is really big on diversity. I don’t doubt that there are people who still wear traditional African garb, or Japanese people who wear kimonos, but by playing off those stereotypes, perhaps we are perpetuating this idea of differences when, in reality, a lot of these differences have disappeared.

In one of my previous posts, I talk about how Westernized Nairobi(http://www.ninjavspenguin.com/blog/2010/05/21/kenya-day-6-week-1-in-review/) is.

Diversity tends to be a hot issue in American churches. Understandable considering how churches tend to be monocultural. Even the “diverse” churches, still have a predominant culture. Aside from ethnic churches, I would say they are “Amercian”. What these “diverse” churches are really talking about when they talk about diversity, is skin color.

This may say more about race and racism than anything else. It is affirmative action as an ethos. But this isn’t meant to start a discussion on affirmative action.

I think we like to believe that we are a post-racial culture. The reality is that race has come back into the forefront.

Before I continue, I want to make it clear that this pursuit of “diversity” is not a bad thing. And the intentions are often very good. So this isn’t meant as an attack on those churches or their pursuit of “diversity”.

I can’t help but think that if we truly were post-racial, there would be no such thing as race. And genetically, biologically, there is no such thing as race. And just as in the Kingdom of God there is no Jew, there is no Gentile, wouldn’t putting an emphasis on “diversity” bring those differences back?

As I said before, these churches are mono-culturally Amercian. They also tend to be homogenenous in terms of socio-economics as well. Of course, this is often a function of the church’s location. If it’s in an affluent neighborhood, affluent people are going to go. If it’s in a poor area, you’ll have more poor people. Of course, this is a sweeping generalization, but it paints a stark picture.

In fact, you see the same thing in the African churches that I’ve been to. You look around and they’re middle, upper-middle class people of Nairobi. They have the same misconceptions and prejudices of Kibera as a random person from America.

“They’re lazy.”
“It’s disease stricken.”
“It’s dirty.”
“They’re empoverished.”
etc.

Some of those things may be true, but it’s not the complete picture.

There is beauty. People work hard. There is education. There is life.

The thing that stands out is the community’s poverty. Just like there are 2nd, 3rd, and 4th generation rich. There are 2nd, 3rd, and 4th generation poor. These are people who, all they have seen and experienced is poverty. They know nothing else. They have no concept of anything else. Therefore, they can’t envision a life or even a way to get out of their situation. The very definition of poverty.

Across the street from Nairobi Chapel is a slum. Right there, on their doorstep. And the thousands of people who attend Nairobi Chapel, Nairobi Chapel it self could do some real change.

I think diversity is a noble goal. I believe it’s a “biblical” goal. If it were true diversity and not just multi-colored mono-cultural “diversity”.



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Kenya: Day 7

High Speed Bullet Photography

Paraphernalia tees and contest

Ninja December 3rd, 2008

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The charming Ms. Vanda is expanding her Paraphernalia empire. Not only does she make some of the most beautiful pieces of jewelry, she’s adding tees to her resume, too.

+ Women’s Botanica Cinq Shirt, $22

+ Women’s Occulta Dorian Shirt, $22

+ Men’s Occulta Fire Rain Shirt, $25

As if that wasn’t enough, Ms. Vanda is also launching her very first Paraphernalia competition!

All you have to do is write a short story about one of the ladies from her new Victoriana Collection. If your story is selected, you’ll receive a $30 gift voucher to her store. Entries are due this Saturday, December 6.

To enter, leave a comment on her Flickr page or send an e-mail to bonmots@paraphernalia.nu.

Cheers & bonne chance,
Ninja

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Rules for Editing

Penguin September 10th, 2008

rules-for-editing

FreshDV has a great article on Edward Dmytryk, an American film editor, who wrote On Film Editing

7 Rules of Editing.

  1. Never make a cut without a positive reason.
  2. “The only reason for using another cut is to improve the scene.”

  3. When undecided about the exact frame to cut on, cut long rather than short.
  4. “Splicing a few frames back onto a scene which has been lopped short makes ‘jumpy’ viewing, and a cut full of such amendments makes proper visualization difficult and perceptive judgment impossible.”

  5. Whenever possible, cut in movement.
  6. “Creating a ‘diversion’ of sorts … is also the principle at work in the action cut.”

  7. The fresh is preferable to the stale.
  8. “In art, the obvious is a sin.”

  9. Substance first—then form.
  10. “Technical skill counts for nothing if it is used only to manufacture films which have little to do with humanity.”

  11. Cut for proper values rather than for proper matches.
  12. “The film’s dramatic requirements should always take precedence over the mere aesthetics of editing.”

  13. All scenes should begin and end with continuing action.
  14. “Subconsciously suggest to the viewer that he is seeing a fragment of continuing life, not a staged scene with a visible framework.”

I think the best rule is this following guideline:

The best film actors act from there eyes. Use the eyes to guide your cuts. Cutting dialogue sequences is much more difficult because it’s not just cutting words: You’re cutting the emotion. You are cutting lives connecting. Attitudes, moments, emotions. And the actors have to look good; they have to be cherished and they have to be honored.

-Carol Littleton

The important thing about editing is the story. And stories are carried by characters and characters are built by emotions.

+ Buy On Film Editing

-Penguin

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Movies Have to be Believable

Penguin June 25th, 2008

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Everything in movies is fake. That’s understandable considering the nature of the medium. But in order for a story to work, it needs to be believable. That’s where knowledge comes into play. This is especially true when you look at your premise.

Take Iron Man for example. The key to powered armor is energy. The solve this problem early on with the mini arc generator. They don’t even bother explaining how the arc generator works because if they did, all the engineers would be able to poke holes in it. Just by telling us, and then showing us that it generates massive amounts of energy is enough. We buy it.

Then you look at something like Untraceable. The premise is a killer who can’t be traced through the internet. Even basic understanding of how the internet works would show that it could never happen.

But “reality” is different in every movie. Something that could work in Star Wars may not work in Apollo 13 because they have different rules because they exist in different universes. Certain things like physics, math, etc, are still true because we accept them as universal. But there are aspects that we believe because we understand that Star Wars is a fantasy.

The moment your audience says, “No way!” with disdain, you’ve lost them. Any credibility you’ve built is out the window and they’ve written off the entire film. This is especially true with your premise. If no one will believe your premise, you’re fighting them the whole way.

So do your research. Make sure you stuff makes sense so your audience will believe the lie.

-Penguin

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First Kiss Loves Ireland

Penguin May 3rd, 2008

first-kiss-loves-ireland

Went to the USPS to drop off First Kiss this morning and I’m glad to say that it’s on its way to a new home in Ireland. :) After a few hiccups yesterday about 24 inch tubes, everything went smoothly.

Thanks, Thomas and enjoy the print!

-Penguin

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