Archive for the tag 'Art'

Dali at the MoMA

Penguin June 29th, 2008

dali-at-the-moma

Dali is at the MoMA.

The show tracks the traffic of images, themes and ideas between Dalí’s films, both realized and not, and his more static efforts, including paintings, drawings, letters, illustrated notes, scenarios and other ephemera.
[...]
Dalí grasped that film’s capacities — for depicting irrationality in action; for dissolving, continually mutating images; and for an intensely real unreality — were all ready-made for his sensibility and his desire to reach a mass audience.
[...]
“Destino,” the sprightly animated short of love and loss that Dalí worked on energetically for Walt Disney in 1946 [runs continuously].

- NYTimes

The show runs through Sept 15 at the MoMA.

-Penguin

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Louise Bourgeois at the Guggenheim

Penguin June 27th, 2008

louise-bourgeois-at-the-guggenheim

There’s a new show opening today at the Guggenheim. Louise Bourgeois.

Bourgeois is best known for her sculptures, which range in scale from the intimate to the monumental, and across a diverse array of mediums including wood, bronze, latex, marble, and fabric. Moving freely between abstraction and figuration, she has developed a richly symbolic visual idiom that encompasses totemic forms, ambiguously gendered anatomical fragments, and towering spiders, as well as the assemblages of found objects that are encased in her environmental-scale installations.

- Guggenheim

For her art is not a job; it is a life. It is what you do when you get up in the morning, and what you continue to do all day, through headaches and phone calls, breakups and breakdowns, silences and celebrations. It is what you keep doing after dark, and when you can’t sleep at night.
[...]
She has said that she works in response to emotions: fury at the past and fear of the present among them.
[...]
Your daily life is propelled by fear? Draw fear. You can. Impossible to sleep at night? Make night your studio, the cloth you embroider with needs and dreams. The past is an obsession you can neither embrace nor release? Make an image of obsession, any image will do.

- NYTimes

This is pretty much how I approach the stories that I write. Sometimes consciously, sometimes subconsciously. But I deal with my internal struggles and issues through my characters. I put them in the same situations, force them to deal with the harsh realities that I face. In a way, when they overcome it, I overcome it too. Of course, there are issues that are huge and require several stories to overcome, but it is extremely cathartic for me.

Luckily or unluckily, I don’t have the sort of issues that Bourgeois struggles with.

The show runs through Sept 28 at the Guggenheim Museum.

-Penguin

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Zeitgeist at the MoMA

Penguin June 26th, 2008

zeitgeist-at-the-moma

MoMA’s celebrating with Zeitgeist: The Films of Our Time, running from June 27 through July 23.

To celebrate [Russo and Gerstman's] ongoing success, MoMA presents a selection of works by critical figures in the company’s history and catalog—from artists they embraced at early stages of their film careers, including Bruce Weber, Todd Haynes, Deepa Mehta, François Ozon, Olivier Assayas, and Guy Maddin, to established masters like Agnes Varda, Yvonne Rainer, Derek Jarman, and Jacques Demy. This monthlong series includes several introductions and post-screening Q&A sessions with some of the filmmakers, along with appearances by Gerstman and Russo.

-Penguin

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Van Gogh at the MoMA

Penguin June 13th, 2008

van-gogh-at-the-moma

null

Now, after studying some 45 works by van Gogh that are linked to the painting and scores of letters and drawings from the collection of the Van Gogh Museum in Amsterdam, Mr. Pissarro has ended up with something far bigger than he had envisioned: a sweeping show charting the artist’s obsession with the nocturnal world.
[...]
Van Gogh would often hand-copy pages from novels he was reading that referred to both the physical and mystical aspects of the night. “As an imaginative force the night was a very big catalyst in his mind,” Mr. Pissarro said. “He lived his life by the night.”

- NYT

The show runs from Sept. 21 to Jan. 5 at the Museum of Modern Art

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Roy Lichtenstein at Gagosian Gallery

Penguin June 11th, 2008

roy-lichtenstein-at-gagosian-gallery

“[The kind of girls I painted were] really made up of black lines and red dots. I see it that abstractly, that it’s very hard to fall for one of these creatures, to me, because they’re not really reality to me. However, that doesn’t mean that I don’t have a clichéd ideal, a fantasy ideal, of a woman that I would be interested in. But I think I have in mind what they should look like for other people.”
–Roy Lichtenstein

I remember seeing Lichtenstein’s stuff when I was a kid and liked it because I thought it was just blown up comic book panels. It wasn’t until later that I learned that he painted those dots.

It runs through June 28th at Gagosian Gallery, 980 Madison Avenue, near 77th Street, (212) 744-2313, gagosian.com

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Galleries, Art, and Commercialism

Penguin June 9th, 2008

galleries-art-and-commercialism

This weekend, we went to the Met to see its latest exhibits. Although I enjoyed Koons on the roof (when I first heard of it, I was thought “raccoons”), there weren’t as many pieces as I would have liked. The balloon dog is as cool as it looks (if you go to the back, it looks like the dog has an anus).

As I walked through the superheroes exhibit, I thought to myself, is this art? I loved Iron Man, and Batman is one of my favourite superheroes. Granted, comics has influenced mainstream pop culture tremendously in the last few years. Just because it’s influential and it’s put in a gallery doesn’t necessarily make it art.

When we went to the Guggenheim, Ninja and I talked about Art and Commercialization. I posed the question: Is it art if it’s commercial? I cited the example of movies and commercials. This is not to say these endeavors have artistic qualities, but the fact that it’s mass produced no longer makes it unique.

I hugged a $25 mil piece of art. If the “flower” wasn’t a one of, and instead mass produced for the gift shop, it would probably go for $25 instead. Because it is no longer unique, it is no longer worth as much.

As a filmmaker, I struggle with this idea of making art in a medium that wants to be commercial. I’ve watched great movies come out of the studio system. I’ve watched great movies come out of the indie system. Some of it is art, some of it isn’t. And I find that the two are inversely proportional to each other. The more commercial something is, the less it is about art, and vice-versa. Where do I strike the balance?

I don’t think I have any good answers.

-Penguin

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What is Art?

Penguin May 20th, 2008

what-is-art

Last Friday, Ninja and I went to the Guggenheim to see Cai Guo-Qiang. Both Ninja and I were really inspired. As I was coming out of the show, I thought to myself, “This is art”. As I chewed on that statement, I thought about what attributes and qualities led me to say it with such confidence.

These were the qualities I identified.

Unique - There is nothing else quite like it. In this example, we have the use of gunpowder that makes it stand out. Granted, my knowledge of art is pretty limited, but as far as I know, no one else is making art with gunpowder. Now, the uniqueness doesn’t necessarily come from the medium. But there needs to be something uniquely intrinsic to the work.

Difficult - One of the common criticisms of abstract art is that kids can do it. The underlying criticism is that it’s easy and any one can do it. The difficulty can come from various sources. The technique required, the medium itself, the scale, or even just the resources needed.

Story - The work has an underlying concept or idea that it is either exploring or conveying. This isn’t necessarily a message, but it can be. But the art is telling some sort of story or metanarrative that can’t be conveyed in any other way. The story is what changes people and the story is where the power lies.

Extreme - Art lies in the extremes. Extremely big or tiny. Complex or simple. It is at these edges that most people don’t venture to or explore that art happens. The more mainstream or common something becomes, the less it is about art. You look at the street vendors in NYC trying to sell “art”. The majority of these are mass produced at a normal size. It’s so ubiquitous that it is no longer unique.

This may not be an exhaustive list, nor is it meant to be a definition. It’s just what I gleamed based on the exhibit. What do you think?

-Penguin

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Cai Guo-Qiang: I Want to Believe

Penguin May 16th, 2008

cai-guo-qiang-i-want-to-believe

Guggenheim:

Cai Guo-Qiang is internationally acclaimed as an artist whose creative transgressions and cultural provocations have literally exploded the accepted parameters of art making in our time.
This is especially true of Inopportune: Stage One, Cai’s largest installation to date, which presents nine real cars in a cinematic progression that simulates a car bombing, occupying the central atrium of the Frank Lloyd Wright rotunda.

Ninja and I will be in NYC for her portfolio review. We’re also going to enjoy some Jacques Pepin, that’s two French chefs in 1 week! We’re going to be spending the rest of the day at the Guggenheim enjoying “cars explode”.

-Penguin

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