Archive for the tag 'Guggenheim'

Louise Bourgeois at the Guggenheim

Penguin June 27th, 2008

louise-bourgeois-at-the-guggenheim

There’s a new show opening today at the Guggenheim. Louise Bourgeois.

Bourgeois is best known for her sculptures, which range in scale from the intimate to the monumental, and across a diverse array of mediums including wood, bronze, latex, marble, and fabric. Moving freely between abstraction and figuration, she has developed a richly symbolic visual idiom that encompasses totemic forms, ambiguously gendered anatomical fragments, and towering spiders, as well as the assemblages of found objects that are encased in her environmental-scale installations.

- Guggenheim

For her art is not a job; it is a life. It is what you do when you get up in the morning, and what you continue to do all day, through headaches and phone calls, breakups and breakdowns, silences and celebrations. It is what you keep doing after dark, and when you can’t sleep at night.
[...]
She has said that she works in response to emotions: fury at the past and fear of the present among them.
[...]
Your daily life is propelled by fear? Draw fear. You can. Impossible to sleep at night? Make night your studio, the cloth you embroider with needs and dreams. The past is an obsession you can neither embrace nor release? Make an image of obsession, any image will do.

- NYTimes

This is pretty much how I approach the stories that I write. Sometimes consciously, sometimes subconsciously. But I deal with my internal struggles and issues through my characters. I put them in the same situations, force them to deal with the harsh realities that I face. In a way, when they overcome it, I overcome it too. Of course, there are issues that are huge and require several stories to overcome, but it is extremely cathartic for me.

Luckily or unluckily, I don’t have the sort of issues that Bourgeois struggles with.

The show runs through Sept 28 at the Guggenheim Museum.

-Penguin

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Galleries, Art, and Commercialism

Penguin June 9th, 2008

galleries-art-and-commercialism

This weekend, we went to the Met to see its latest exhibits. Although I enjoyed Koons on the roof (when I first heard of it, I was thought “raccoons”), there weren’t as many pieces as I would have liked. The balloon dog is as cool as it looks (if you go to the back, it looks like the dog has an anus).

As I walked through the superheroes exhibit, I thought to myself, is this art? I loved Iron Man, and Batman is one of my favourite superheroes. Granted, comics has influenced mainstream pop culture tremendously in the last few years. Just because it’s influential and it’s put in a gallery doesn’t necessarily make it art.

When we went to the Guggenheim, Ninja and I talked about Art and Commercialization. I posed the question: Is it art if it’s commercial? I cited the example of movies and commercials. This is not to say these endeavors have artistic qualities, but the fact that it’s mass produced no longer makes it unique.

I hugged a $25 mil piece of art. If the “flower” wasn’t a one of, and instead mass produced for the gift shop, it would probably go for $25 instead. Because it is no longer unique, it is no longer worth as much.

As a filmmaker, I struggle with this idea of making art in a medium that wants to be commercial. I’ve watched great movies come out of the studio system. I’ve watched great movies come out of the indie system. Some of it is art, some of it isn’t. And I find that the two are inversely proportional to each other. The more commercial something is, the less it is about art, and vice-versa. Where do I strike the balance?

I don’t think I have any good answers.

-Penguin

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Cai Guo-Qiang: I Want to Believe

Penguin May 16th, 2008

cai-guo-qiang-i-want-to-believe

Guggenheim:

Cai Guo-Qiang is internationally acclaimed as an artist whose creative transgressions and cultural provocations have literally exploded the accepted parameters of art making in our time.
This is especially true of Inopportune: Stage One, Cai’s largest installation to date, which presents nine real cars in a cinematic progression that simulates a car bombing, occupying the central atrium of the Frank Lloyd Wright rotunda.

Ninja and I will be in NYC for her portfolio review. We’re also going to enjoy some Jacques Pepin, that’s two French chefs in 1 week! We’re going to be spending the rest of the day at the Guggenheim enjoying “cars explode”.

-Penguin

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