Archive for the tag 'Indie'

The Indie Landscape

Penguin July 13th, 2009

the-indie-landscape

James Stern gave the keynote at LAFF. You can listen to the mp3 or read it at Variety.

From January through May 2008, four studio films grossed more than $100 million dollars. This year, that number is eleven. Almost triple.

Meanwhile, in the same period, the number of indies that grossed over $1 million dollars went from 16 to six. Less than half.

Make Smarter Movies

What I mean is crafting a disciplined process that results in a smarter product. Smarter process means designing movie projects with really clear target audiences in mind from the very beginning. Doing that takes coordination among all parties involved, from finance to creative to production to marketing to distribution. Having a clear target in mind determines the process and the range of budget that needs to be financed.
[...]
Patrick Goldstein of The LA Times describes the difference between “making better movies” and “making smarter movies” this way:

“The real problem with the indie business isn’t quality, but discipline. We have a generation of filmmakers who feel entitled to make personal films… and a generation of executives who’ve been willing to essentially use specialty films as a loss-leader to launch their division or win awards. If people in the indie world want to start making money again, they have to start treating their investment like a truly precious natural resource, not like Monopoly money. Discipline is not antithetical to art.”

Respect the Money

The point is, talent and money have to be on the same page. If you as a producer buy a giraffe and the director brings you a giraffe, it’s your fault if you decide you now want a zebra because market conditions have changed and zebras are in.
[...]
a good movie losing money – is the one unpardonable sin in our business. Everyone’s going to make mistakes and occasionally make bad films. But if a movie really works – but then people don’t get their money back – financiersdon’t understand. We have to make sure that, especially when we get it right, everybody gets paid.

Think Markets

Most businesses have a complete plan from the start of a project, which includes the whole chain from manufacturing through distribution.
[...]
I was blown away when I found out that the # 32 film on the all-time documentary box-office list is a little 2005 film I’d never heard of, called The Wild Parrots of Telegraph Hill. (It’s about wild parrots living on Telegraph Hill, by the way.) Can you imagine how tiny the market sliver is of people willing to take a night out to go see this peculiar-sounding film?

Well, the filmmaker did imagine them. Rather thoughtfully, in fact. And then proceeded to use viral marketing to rally those people into the theater, by making the film an event for every bird-lover on God’s green Earth.
[...]
You can target market segments as long as you’ve created something appealing to them.

It’s a great speech. Take the time to read or listen to the entirety.

- Penguin

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Bopping around to Arms

Ninja January 8th, 2009

bopping-around-to-arms

Arms is a project I started in 2004 after a year-and-a-half-long bout of pretty awful writer’s block… And once I started writing again, finally, I guess I’d absorbed a good bit of what they’d all taught me about mood, atmosphere, emotion. Slowness in music, literal and figurative.
– Todd Goldstein

Photo via rcrdlbl

Arms is the lo-fi, solo project from indie-rock Harlem Shakes guitarist/half of folk duo, The Sea & The Gulls, Todd Goldstein. Recorded in his bedroom, Goldstein played all the parts and then layered them to form the absolutely charming, romantic album, Kids Aflame. Uber-catchy tracks, Whirring and Shitty Little Disco, are easily my favorites from Kids Aflame.

You can download them here:
+ Whirring
+ Shitty Little Disco

Enjoy,
Ninja

Related links
+ Find tour dates and more information on Arms’ website
+ For more tunes, visit Arms’ myspace

Purchasing link
+ Kids Aflame

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The Death of Independent Film

Penguin June 27th, 2008

the-death-of-independent-film

Mark Gill, the CEO of The Film Department and former President of Miramax Films, declared provocatively, “Yes, The Sky Really Is Falling.” Speaking at the L.A. Film Festival’s Financing Conference, he starts with the bad news.

[O]f the 5000 films submitted to Sundance each year– generally with budgets under $10 million–maybe 100 of them got a US theatrical release three years ago. And it used to be that 20 of those would make money. Now maybe five do. That’s one-tenth of one percent.

Put another way, if you decide to make a movie budgeted under $10 million on your own tomorrow, you have a 99.9% chance of failure.

He continues on to offer a harsh solution, the one that we know deep in our gut, but wish there was an easier path.

A good title should have many of the attributes that a movie needs to embody now:

*Succinct & Descriptive: the film has to lend itself to brief encapsulation. A high concept is no longer the thing that studio movies do and independent films shun. In this age of info overload, it’s crucial for every picture to have this. Without it, your odds shoot through the floor.

*Distinctive: not the same story we’ve heard five times before; something that at least takes the cliche and twists it; not something we get too much of somewhere else in our lives (Exhibit A: Iraq movies; who wants to see more of that mess? We already get too much of it every day in the news media).

*Provocative: something that cuts through the clutter, stands out, gets attention; not “So then Phoebe sat by her mother’s bedside, suffering in silence for eight weeks.” Give us incident, conflict, excitement, ideally something that hits a cultural nerve.

*Memorable: this is essentially an accumulation of the other traits, or sometimes altogether separate. It’s the avoidance of cotton candy. The possibility of resonance. Something sticky.

*Not too dark: these are very dark times, for audiences the world over. Audience enthusiasm for dark films is as low as I’ve ever seen it. There are a lot of reasons for this, of course. But the one I hear almost nobody articulating and everyone feeling is this: in the western industrialized world, wages haven’t even remotely kept up with productivity demands, and that stresses us out.
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If you want to survive in this brutal climate, you’re going to have to work a lot harder, be a lot smarter, know a lot more, move a lot faster, sell a lot better, pay attention to the data, be a little nicer (ok, a lot nicer), trust your gut, read everything and never, ever give up.

- IndieWire

It’s stark sobering news and just a little discouraging. But just like everything else, if you’re in it for the money, you’re in it for the wrong reasons. My hope is that I’ll be able to continue learning and honing my craft so I can get the budget to make something worth seeing. That may take years, but like JFK said, “We don’t do it because it’s easy, but because it’s hard.”

-Penguin

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Movie: 10mph

Penguin March 14th, 2008

movie-10mph

Trailer

Full length movie

10mph is a documentary about traveling across America on a Segway. Check it out.

-Penguin

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