Archive for the tag 'ink'

All the pretty colors

Ninja September 24th, 2009

all-the-pretty-colors

Timothy Hon Hung Lee’s pieces are typically black and white and feature delicate, sensual female figures and highly-detailed plant life. So I was surprised when he showed me his latest painting depicting a wounded man in color!

Timothy Hon Hung Lee_Farewell my mourning bird
Farewell my mourning bird, 2009
Chinese inks on rice paper
80cm x 70cm

Related links
+ View more of Timothy Hon Hung Lee’s artwork
+ Read Timothy Hon Hung Lee’s blog

Purchasing link
+ Illusive 2: Contemporary Illustration and Its Context, $43.47

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Illustrator: Chow Martin

Ninja June 23rd, 2009

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Chow Martin uses ink and charcoal on mylar to create mythical, muscular creatures and type. You can check out the rest of his work here.

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Illustrator: Max Marin

Ninja May 28th, 2009

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Recent Ringling College of Art and Design graduate, Max Marin, shared his thoughts and work with us.

Ninja vs Penguin: Hi Max! Please tell us how you developed an interest in art and when did you started painting?

Max Marin: I was born and raised in Miami, Florida and come from a well brought Colombian family. Since I was very small, my parents have encouraged me to draw. My father was also an artist, and he always said that I had the talent and interest to be more.

I was never much of an outdoor kid when I was younger nor did I have any video games of any sort, so I was inside most of the time. That’s where it started. I would draw along with my younger brother at the kitchen table for what seemed to be hours. Those were good memories. From there on, my parents gave me options to push this “hobby” of mine even more. So at twelve, I took my first oil painting classes at Miami-Dade Community college.

NvP: Do you have a specific process for creating your work?

MM: Well, I might spend days trying to figure out a good idea for the piece and ask some close friends for advice. Once it’s picked out, I start sketching it out on either panel or canvas, most of the time it’s never bigger then 18×24. Once it’s all in there, I second guess myself and revise anything that can be better. And for color, I try to figure it all in my head or sometimes I got to put it in paper, but the third option is always just winging it.

NvP: Your senior thesis (two of six pieces pictured above) showcases vibrant oil paintings featuring dramatic narratives where characters seem torn between the realms of paradise and torment. Could you tell us about the themes and inspiration behind this series?

MM: Ahhh… my “Senior Thesis” that was a special time; it took so much determination and focus to go all the way through. But in the end it was fantastic; the theme was something I have been doing since high school. I’m not a very religious person, but it’s something that has always intrigued me. Dwelling on controversial subjects is who I am. In high school, I loved doing paintings of that sort and it was always encouraged. But then getting into college they strip that from you, and your work becomes a commercial use. My inspiration was to go back as a fine artist and not the commercial illustrator I have become and just explore my interpretation of what happened before man arrived in the picture.

NvP: Who are your favorite working artists/illustrators?

MM: I love Rembrandt, but he is no longer working so I would say without a doubt Ashley Wood and Phil Hale. I love their looseness, style, color, compositions, and I hope to be able to paint like them one day and even meet them.

NvP: Is there anyone you would really like to collaborate and work with?

MM: Definitely some of my old friends from college would be pretty cool like John Suarez or even Charles Chassion. But if not them, Ashley Wood would be my number one choice. I even emailed him if I could be his apprentice, but I guess he was too busy… lol.

NvP: Apart from illustration, what are your other interests?

MM: I always said, if I could be a famous illustrator or famous soccer player… soccer would win. It’s a passion that never dies; I love watching it and love playing it!

NvP: And lastly, do you have any advice you’d like to share with our readers?

MM: Art is very competitive and it’s something that you should never quit on, take advantage while you are still young and just having fun. Enjoy the simple things and don’t make money an issue until you grow up. Art is fun.  If you are willing to commit, sacrifice, and enjoy being alone in your studio for hours at a time, you can go very far in this industry.

Thanks for sharing Max!

Related links
+ Visit Max Marin’s blog
+ Contact/hire Max Marin

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Designer/illustrator: Takashi Okada

Ninja May 22nd, 2009

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Takashi Okada is a freelance web and print graphic designer and illustrator living and working out of Tokyo. You can see his cascading flowers, morphing type, dripping inks, and other work here.

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Self-portrait homework process

Ninja May 5th, 2009

self-portrait-homework-process

Assignment: paint a self-portrait with the perspective from an unusual angle. Try to capture a view of yourself that you normally don’t see.

I chose to paint myself sleeping.

I went to the art supply store and picked up the usual—linseed oil, gel medium, and brushes. Then out of the corner of my eye, I saw something sparkle—iridescent acrylic paint. No question, I had to get some. I figured I might as well give it a go with my homework assignment; I’ve got nothing to lose.


I prepped the wood board with Golden matte medium. It dries completely clear is thinner than typical clear gesso. I love this stuff!

Then I drew a rough sketch with chalk.


Next, I applied few washes with iridescent acrylic paint and waterproof black ink to block in the highlights and shadows.


A few layers of white gesso and iridescent paint later, and here we are.

I thinned down the iridescent paint and used it for the creases of the bed sheets and pillow.

Here’s a close-up. Oh, it’s so shimmery in person. I feel like a kid who can’t stop staring at shiny things.

Happy painting,
Ninja

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Painter: Timothy Hon Hung Lee

Ninja March 16th, 2009

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Last week, I received a friendly email from the UK artist, Timothy Hon Hung Lee, kindly requesting that I take a look at his artwork.

There is an intriguing sense of still beauty and quiet undertones of violence that run through his work. I was struck by the intense detail and complexity of his linework from the smallest blossom to the thinnest wisps of hair. His paintings are executed in ink on hand made paper and are very reminiscent of traditional Chinese scroll paintings, Ukiyo-e woodblock prints, and Kimono patterns. After viewing his work online, I was left with a longing to take in and examine his work in person.

Recently, Timothy has shown in the Delineations exhibit at the Ad Hoc Gallery in New York, was featured in NY Arts Magazine and in Die Gestalten Verlag’s book on contemporary illustration, Illusive 2. Next month, he will be taking part in a touring show in the US.

Here’s a short documentary on his work:

NvP: When did you develop an interest in art?
Timothy: I don’t recall a specific moment when I realized that this was what I wanted to do in life. I have always mentioned my Uncle (Lee Man Sang) as my biggest influence. I believe that in my early years where I was exposed to his works and paintings, that’s when I took a keen interest. I was never surrounded by art though; my uncles’ practice was almost private, like a hobby. Only once he returned to Hong Kong did he develop his career. My parents were never supportive my creative endeavors and I rarely went to see shows or openings. I just drew and painted for the enjoyment of it and I don’t think I’ve changed all too much from that. I think the lack of a creative upbringing has maybe pushed me to be more creative, to explore art from both the inside and out.

NvP: What’s your favorite subject to paint, and how would you define your style?
Timothy: When I’m drawing I don’t have a particular subject in mind. Obviously its clear in my work that they’re figurative but what I hope to convey is a feeling or an emotion. My work addresses mortality a lot, I don’t feel it is as clear-cut as a singular subject; there’s many sides of a human being. The people act as messengers. I’m not concerned whether my audience understands the work; I’m concerned with whether they feel from them.

NvP: What things inspire and influence you?
Timothy: I always struggle in describing where my inspiration comes from. It’s a balance of seeing things in everyday life that interest you and then thinking about them endlessly until your imagination re-interprets them, like dreaming. You whittle away the needless information until you have a pure image or sentiment.

NvP: How you go about your art-making process?
Timothy: Once I have that idea or feeling, that’s when I begin a drawing. My images are never born of sketches or rough drafts. Just outlined and inked. I find it much more exciting to work in this manner as the work changes with each mark you make. It always comes back to balance and composition; there are times when you have to let the image guide itself and times when you need to exercise restraint.

Thank you for sharing your work, Timothy!

Related links
+ View more of Timothy Hon Hung Lee’s artwork
+ Read Timothy Hon Hung Lee’s blog

Purchasing link
+ Illusive 2: Contemporary Illustration and Its Context, $43.47

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Mini process: Swan Lake

Ninja February 8th, 2009

mini-process-swan-lake

I really like having some background noise while I paint. I’ve recently discovered Penguin’s old X-files episodes and since playing them, productivity has increased.

Hope you’re having a lovely weekend,
Ninja

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I need to get more Payne’s Grey

Ninja February 4th, 2009

i-need-to-get-more-paynes-grey

I am slowly making progress on my Swan Lake paintings of Ms. Tanya Dakin. This is as far as I got because I need to run out and get more paint.

Odile & Odette
Acrylic and ink on my favorite paper, Rives BFK White

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Sumi silhouettes

Ninja January 23rd, 2009

sumi-silhouettes

Last night, I finally started to tighten up my Swan Lake sketch of Tanya Dakin. I was going to pick up where I left off, but I left my favorite pencils at Penguin’s house.

So tonight, I made some sumi silhouettes.

Tanya Dakin

Stacey & Kevin

Cheers,
Ninja

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Oh, Bernie Wrightson

Ninja December 17th, 2008

oh-bernie-wrightson

Whenever I visit my friends, Q and Nancy, I feel like I’ve just walked into a small comic shop. They’ve got all sorts of goodies scattered about their apartment—a framed still from Samurai Jack by the door (Nancy works at Cartoon Network), LEGO Clone Troopers battling on the window sill, bobble head toys on the desk, Hellboy by the kitchen, Fables by Nancy’s purse, Batman in the bedroom, Hulk in the bathroom, and there are other titles in their bookcases. During our last visit, I spied Bernie Wrightson’s Frankenstein on their coffee table and was reminded of how much I love this man’s line work.

Here are some clips of Bernie Wrightson at WonderFest, an annual monster model convention held in Louisville, KY. Enjoy!

Happy hump day,
Ninja

Related links
+ Bernie Wrightson’s website
+ WonderFest website

Purchasing link
+ Bernie Wrightson’s Frankenstein, $19.77

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