Archive for the tag 'Installations'

Visualizing Statistics

Penguin September 11th, 2008

visualizing-statistics

This is an amazing body of work, visualizing statistics. I especially appreciate the meta-ness of making a larger image based on the smaller ones, such as the Barbie Dolls below.

Running the Numbers looks at contemporary American culture through the austere lens of statistics. Each image portrays a specific quantity of something: fifteen million sheets of office paper (five minutes of paper use); 106,000 aluminum cans (thirty seconds of can consumption) and so on. My hope is that images representing these quantities might have a different effect than the raw numbers alone, such as we find daily in articles and books.

- Chris Jordan

Cans Seurat
Depicts 106,000 aluminum cans, the number used in the US every thirty seconds.



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Paul McCarthy at the Whitney

Penguin June 27th, 2008

paul-mccarthy-at-the-whitney

Paul McCarthy’s “Central Symmetrical Rotation Movement: Three Installations, Two Films” at the Whitney:

The show focuses on a core strand of McCarthy’s work: the use of architecture to create perceptual disorientation in the viewer through spinning mirrors, rotating walls, projections, and altered space.

the show of about 22 works dating from 1966 to the present includes three major sculptures, two early short films and assorted drawings, photographs and videos.

Two basic motifs connect the various pieces: the room and rotational movement, or spinning.
[...]
“Spinning Camera, Walking, Mike Cram Walking” that Mr. McCarthy made by rotating a camera on a tripod in a mostly empty room. The view goes round and round, alternating bright windows and dark walls and occasionally giving a glimpse of a man walking in circles in the room.

“Mad House”… consists of a large steel-framed wooden box mounted on a powerful motor. A door in the box reveals a room with a padded seat inside. (There are also three square windows.) When turned on, the room rotates at high speed while inside the chair rotates too, though not necessarily in the same direction or at the same velocity.

[In] “Couple”,… Mr. McCarthy set the focus on his camera at two feet and then roamed around a room with it, creating a blurry, aimless tour. Two naked people, a man and a woman, appear intermittently.

In “Spinning Room,”… [f]our video cameras rotate on a gleaming high-tech machine within a square, walk-in enclosure made of rear-projection screens. Images recorded by the cameras pass through computers and then to projectors stationed outside the enclosure. The projectors direct streaming video pictures of people inside onto the screens.

- NYTimes

The show runs through Oct 12 at the Whitney.

In July, the Whitney will open “Paul McCarthy: Film List”:

McCarthy began making films as a student in the 1960s, and his current exhibition on the Whitney’s third floor includes two rare 16mm films screening for the first time in decades. In conjunction with his exhibition, McCarthy has curated a film program that brings together works by, among others, Stan VanDerBeek, Francis Picabia, Walt Disney, Kurt Kren, Yves Klein, and Bruce Conner.

This portion runs from July 11 through Sept 28.

-Penguin

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Louise Bourgeois at the Guggenheim

Penguin June 27th, 2008

louise-bourgeois-at-the-guggenheim

There’s a new show opening today at the Guggenheim. Louise Bourgeois.

Bourgeois is best known for her sculptures, which range in scale from the intimate to the monumental, and across a diverse array of mediums including wood, bronze, latex, marble, and fabric. Moving freely between abstraction and figuration, she has developed a richly symbolic visual idiom that encompasses totemic forms, ambiguously gendered anatomical fragments, and towering spiders, as well as the assemblages of found objects that are encased in her environmental-scale installations.

- Guggenheim

For her art is not a job; it is a life. It is what you do when you get up in the morning, and what you continue to do all day, through headaches and phone calls, breakups and breakdowns, silences and celebrations. It is what you keep doing after dark, and when you can’t sleep at night.
[...]
She has said that she works in response to emotions: fury at the past and fear of the present among them.
[...]
Your daily life is propelled by fear? Draw fear. You can. Impossible to sleep at night? Make night your studio, the cloth you embroider with needs and dreams. The past is an obsession you can neither embrace nor release? Make an image of obsession, any image will do.

- NYTimes

This is pretty much how I approach the stories that I write. Sometimes consciously, sometimes subconsciously. But I deal with my internal struggles and issues through my characters. I put them in the same situations, force them to deal with the harsh realities that I face. In a way, when they overcome it, I overcome it too. Of course, there are issues that are huge and require several stories to overcome, but it is extremely cathartic for me.

Luckily or unluckily, I don’t have the sort of issues that Bourgeois struggles with.

The show runs through Sept 28 at the Guggenheim Museum.

-Penguin

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