Archive for the tag 'Production'

The Intern Project: Production Week 1

Penguin July 18th, 2009

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We finished our first week of production on The Intern Project and dang has it been stressful. We’ve been shooting 2 hour days after a full day’s of work. So we’re tired and hungry but everyone’s been bringing a lot of energy and a can do attitude.

It wouldn’t be production if it didn’t have its problems. We started shooting on Wednesday, but we were waiting for a crucial prop and ended up starting 30 min late. Considering we only had 2 hours, that means we lost a quarter of our day. Needless to say, we didn’t make our day. Then on Thursday, one of the leads told me that they wouldn’t be able to make it to the shoot on Friday. Nor would they be able to do anything next week. Of course, I had to go and reschedule Thursday and Friday.

It was a stretch, but I managed to schedule everything properly. But it meant that we had to cut certain scenes, some rather important. We went so far as to cut an entire role, though it was small.

We had been asked if we could perform something at the “Talent Show”. We opted to give everyone a sneak peek behind the filmmaking process. So we shot “live” in front of an audience. Of course, we didn’t actually shoot it because I didn’t want to stress out my actors. I didn’t even have a battery in the camera.

The “Talent show” ran into our day, but everyone was really gracious and was willing to put in an extra hour. Thanks so much!

On Friday, we were undermanned, so I would set up the camera on some sticks and man the boom mic. There were a few times where we had to prop up the boom because we just didn’t have anyone to help. Everyone’s been serving double duty and getting a crash course on camerawork and directing. Fun stuff.

So, after a week, I can start seeing the episodes in my head. Being so close to the material for so long has made it difficult to tell if I’m putting enough on screen. If the dialogue is saying enough without saying too much, and if the cuts are going to match.

Going into the next few weeks of production, we’re still behind schedule and a lot of people can’t make it. We’ve made the difficult decision of cutting an episode and possibly condensing 2 others. I have a lot to do over the weekend.

It’s a wonder anything gets made.

-Penguin

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Day in the Life of a Director

Penguin June 22nd, 2009

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From MakingOf

No matter what you think of Shawn Levy’s body of work (Night at the Museum, Pink Panther, Cheaper by the Dozen), at least he’s working.

Here’s a great peak on set and good look at a few of the important people who make a movie come together. It’s like being on set, but with out craft services.

-Penguin

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Jeff and Nancy’s is a Wrap!

Penguin October 5th, 2008

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Today, we finished principal photography on Jeff and Nancy’s wedding music video. We also finished a rough cut with the wonderful assistance of the other Nancy, who’s been my DP on Interview with an INS Agent, Collide, and Cupid’s Chokehold.

The two of us have really hit our stride and she’s a dream to work with. I had the pleasure of working with her on the edit too.

Once we finished the rough cut, I replaced the proxy assets with the HD ones and rendered it out. Ninja and I spent the last half hour watching the 2 minute video over and over. It’s that good. I can’t to share it with everyone.

There’s still some fine tuning I need to do, but I know it works. Then it’s on to color correction. Yay!

-Penguin

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Filming for the Cut

Penguin August 21st, 2008

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David Bordwell has an article about production shoots. The article covers 3 kinds of shooting techniques.

Shooting for Coverage
Usually, this is one camera. First, you shoot a master shot that will cover the entire scene and its geography. Then you move to medium shots, medium close (if necessary), close ups, and any other crazy angles you can think of.

This was the way I was taught, mainly because I didn’t know any better at the time. I didn’t know anything about editing, so I wanted to give myself options.

Multi-camera
This grows out of the coverage mentality. But instead of using one camera, you use several and roll them all at the same time. This essentially accomplishes the same thing as shooting coverage, it just doesn’t take up as much time. This method is generally used for TV shows and expensive one time action scenes.

Some of the problems of this technique is lighting. It forces the DP to make compromises on how to light the subjects so it’ll be easier to cut. Another problem is you now limit where you can place the camera as to not get them in other shots.

One compromise that I’ve seen people do is to combine multi-camera with shooting for coverage. You still shoot the master, but when you move to mediums and close ups, you use a mult-cam set up. You would still light it the same way, but you would also get a lot more coverage faster.

Shoot for the Cut
This is a technique that I learned about a few months ago. Usually, when you shoot coverage, you’ll shoot the entire scene over again. This gives you a lot of options in the editing room. Shooting for the cut is similar to editing in camera. Instead of shooting coverage, you just shoot the parts you need to cut together. For example, if you have a close up of just one line, instead of doing the whole scene as a close up, you would just shoot that one line.

I don’t think there’s a best way to run your shoots. Depending on your resources, each has its place. But it’s good to know the different tools that are in your box.

-Penguin

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RST: Shoot – Day 1

Penguin August 21st, 2008

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Tuesday was our first day of shooting Red String Theory. It was weird just being the camera operator. I did my best to just follow instructions and give suggestions as necessary, but I didn’t want to be a backseat director. This was Jesse’s shoot.

We started the shoot half an hour behind schedule but still managed to make our day early. I’m used to barely making my day or running a little over. But then again, I usually only have about 2 hrs to shoot.

There were plenty of shots I wish I had either a jib or a dolly. After watching a lot of great films, I realized one of the big things that sets cinema apart from amateur films is the camera movement. They just LOOK expensive.

Our second shoot is Friday, and hopefully, we’ll be able to wrap it.

-Penguin

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Kyrgyzstan: Day 3 – 7/9/08

Penguin July 28th, 2008

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Woke up at 6:20, journaled and did devos.

Breakfast consisted of a style of square egg I hadn’t had before. One was kind of like a pudding, but slightly hard. The other was harder. It was different, not bad, just different. We also had these gingerbread cookies that were really good.

Before going to the Professional Institute, we went to the Bazaar to buy some fruit. We got oranges, bananas, grapes, and peaches. We also saw a gypsy burning some stuff. What they do is wave the smoke around you then they ask you to pay to get a good fortune. If you don’t, then you’ll get a bad fortune.
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Kyrgyzstan: Day 2 – 7/8/08

Penguin July 27th, 2008

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Didn’t really have a restful sleep, even though I went to bed at like 8. I woke up once at 2 to go pee, and then woke up for good at 6.

Breakfast was good. We had crepes. Some were filled with this cottage cheese/cream cheese like stuff. Others were plain. We also got some of that fantastic raspberry jam.

As I was reading my Bible on the front steps, Nariza invited me into to their morning devos. Pastor David was starting a new lesson on following Jesus.

Then we went to the Professional Institute to do the interviews. We went around a bit looking for a place with some decent sound, but every where we tried had both an echo or you could hear the construction.
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Kyrgyzstan: Day 1 – 7/7/08

Penguin July 26th, 2008

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Woke up at 12, then back to sleep until 6.

Breakfast was rice porridge made in milk with a bit of sugar.

After breakfast, we joined the staff for morning devotions.

Then I had a quick meeting with Nazira to talk about the schedule and the rest of the week. We decided we wanted to spend the morning visiting the various projects in Tokmok and then spend the afternoon going over the rest of the logistics. This would also give her a chance to review the prepared document.
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RST on Hold

Penguin June 24th, 2008

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It looks like Red String Theory has been put on hold. The director didn’t bother to tell me that she would be in NYC during our two shooting days. Since I’m ramping up to do Irreplaceably Precious in August, this small window is all we had.

I was looking forward to doing RST too. Maybe it’ll still happen sometime this fall. We’ll see what happens.

-Penguin

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Bryan Bertino Talks About his Directorial Debut

Penguin June 23rd, 2008

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Bryan Bertino talks about his directorial debut on The Strangers:

It seems so simple from a distance, the concepts of finding the right cast, picking a crew, finding a location. But in reality, from the minute pre-production began, I was thrust into a world I had only read about or at least seen glimpses of in DVD bonus features.

Finding your cast is about finding the right person to help you create a true character. It is about finding someone who can help the words on the paper come alive.

Questions are the key to what a director does. You are like a machine, being driven from place to place. Your life is simplified

There was nothing in the books I had studied over the years before production that could have helped me.

I needed to shut up and go work. Whether it was my first time or my twentieth, I was going to make something that people would watch, something with my name on it. It would be judged whether I was a first-timer or not.

Movie Maker

There’s some great insight that most filmmakers hope they’ll have one day. In the meantime, it’s great inspiration to keep writing, keep shooting, and keep making movies “that people would watch”.

-Penguin

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