Archive for the tag 'Production'

Filming for the Cut

Penguin August 21st, 2008

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David Bordwell has an article about production shoots. The article covers 3 kinds of shooting techniques.

Shooting for Coverage
Usually, this is one camera. First, you shoot a master shot that will cover the entire scene and its geography. Then you move to medium shots, medium close (if necessary), close ups, and any other crazy angles you can think of.

This was the way I was taught, mainly because I didn’t know any better at the time. I didn’t know anything about editing, so I wanted to give myself options.

Multi-camera
This grows out of the coverage mentality. But instead of using one camera, you use several and roll them all at the same time. This essentially accomplishes the same thing as shooting coverage, it just doesn’t take up as much time. This method is generally used for TV shows and expensive one time action scenes.

Some of the problems of this technique is lighting. It forces the DP to make compromises on how to light the subjects so it’ll be easier to cut. Another problem is you now limit where you can place the camera as to not get them in other shots.

One compromise that I’ve seen people do is to combine multi-camera with shooting for coverage. You still shoot the master, but when you move to mediums and close ups, you use a mult-cam set up. You would still light it the same way, but you would also get a lot more coverage faster.

Shoot for the Cut
This is a technique that I learned about a few months ago. Usually, when you shoot coverage, you’ll shoot the entire scene over again. This gives you a lot of options in the editing room. Shooting for the cut is similar to editing in camera. Instead of shooting coverage, you just shoot the parts you need to cut together. For example, if you have a close up of just one line, instead of doing the whole scene as a close up, you would just shoot that one line.

I don’t think there’s a best way to run your shoots. Depending on your resources, each has its place. But it’s good to know the different tools that are in your box.

-Penguin

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RST: Shoot - Day 1

Penguin August 21st, 2008

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Tuesday was our first day of shooting Red String Theory. It was weird just being the camera operator. I did my best to just follow instructions and give suggestions as necessary, but I didn’t want to be a backseat director. This was Jesse’s shoot.

We started the shoot half an hour behind schedule but still managed to make our day early. I’m used to barely making my day or running a little over. But then again, I usually only have about 2 hrs to shoot.

There were plenty of shots I wish I had either a jib or a dolly. After watching a lot of great films, I realized one of the big things that sets cinema apart from amateur films is the camera movement. They just LOOK expensive.

Our second shoot is Friday, and hopefully, we’ll be able to wrap it.

-Penguin

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Kyrgyzstan: Day 3 - 7/9/08

Penguin July 28th, 2008

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Woke up at 6:20, journaled and did devos.

Breakfast consisted of a style of square egg I hadn’t had before. One was kind of like a pudding, but slightly hard. The other was harder. It was different, not bad, just different. We also had these gingerbread cookies that were really good.

Before going to the Professional Institute, we went to the Bazaar to buy some fruit. We got oranges, bananas, grapes, and peaches. We also saw a gypsy burning some stuff. What they do is wave the smoke around you then they ask you to pay to get a good fortune. If you don’t, then you’ll get a bad fortune.
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Kyrgyzstan: Day 2 - 7/8/08

Penguin July 27th, 2008

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Didn’t really have a restful sleep, even though I went to bed at like 8. I woke up once at 2 to go pee, and then woke up for good at 6.

Breakfast was good. We had crepes. Some were filled with this cottage cheese/cream cheese like stuff. Others were plain. We also got some of that fantastic raspberry jam.

As I was reading my Bible on the front steps, Nariza invited me into to their morning devos. Pastor David was starting a new lesson on following Jesus.

Then we went to the Professional Institute to do the interviews. We went around a bit looking for a place with some decent sound, but every where we tried had both an echo or you could hear the construction.
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Kyrgyzstan: Day 1 - 7/7/08

Penguin July 26th, 2008

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Woke up at 12, then back to sleep until 6.

Breakfast was rice porridge made in milk with a bit of sugar.

After breakfast, we joined the staff for morning devotions.

Then I had a quick meeting with Nazira to talk about the schedule and the rest of the week. We decided we wanted to spend the morning visiting the various projects in Tokmok and then spend the afternoon going over the rest of the logistics. This would also give her a chance to review the prepared document.
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RST on Hold

Penguin June 24th, 2008

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It looks like Red String Theory has been put on hold. The director didn’t bother to tell me that she would be in NYC during our two shooting days. Since I’m ramping up to do Irreplaceably Precious in August, this small window is all we had.

I was looking forward to doing RST too. Maybe it’ll still happen sometime this fall. We’ll see what happens.

-Penguin

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Bryan Bertino Talks About his Directorial Debut

Penguin June 23rd, 2008

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Bryan Bertino talks about his directorial debut on The Strangers:

It seems so simple from a distance, the concepts of finding the right cast, picking a crew, finding a location. But in reality, from the minute pre-production began, I was thrust into a world I had only read about or at least seen glimpses of in DVD bonus features.

Finding your cast is about finding the right person to help you create a true character. It is about finding someone who can help the words on the paper come alive.

Questions are the key to what a director does. You are like a machine, being driven from place to place. Your life is simplified

There was nothing in the books I had studied over the years before production that could have helped me.

I needed to shut up and go work. Whether it was my first time or my twentieth, I was going to make something that people would watch, something with my name on it. It would be judged whether I was a first-timer or not.

Movie Maker

There’s some great insight that most filmmakers hope they’ll have one day. In the meantime, it’s great inspiration to keep writing, keep shooting, and keep making movies “that people would watch”.

-Penguin

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Cupid’s Chokehold: Day 3 - Compromise

Penguin January 20th, 2008

Wrapped our third day of shooting today and we’re on good track to finishing the video.

Nancy was nice enough to open her house to let us shoot there. Since we had gone over last week, I was committed to making sure the place was clean and back to the way it was before we got there. We were running a little late as it was, so we missed a lot of shots.

At the time, it seemed like the best decision. Grab the master shot and that’s it. Now, that I’ve had time to think about it, I regret that decision. The additional coverage that we needed to get were minor and probably would’ve taken an additional 15 minutes. I was so focused on just finishing, that I compromised my vision for the video.

Does this decision ruin the video? No. Is it as good as it could’ve been? Probably not. Now, I have to make a second decision. Do I go back to Nancy’s place next week and shoot all that coverage that I missed? Or do I move on. We have a really tight schedule coming up, so I’m afraid that we may run over.

With that said, I think I’m going to go back. Otherwise, this is going to eat me up inside.

-Penguin

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