This weekend, Ninja and I went to the MoMA to see the Dali: Film and Art exhibit. We had the opportunity to see one of the shorts he had done for Disney (of all places). It was originally supposed to be included in Fantasia, but it was deemed too risque for the film.
Finally, in 2003, some Disney animators resurrected the short and put Destino together. If you can’t make it to the MoMA, you’ll be able to see it on Oct 3. Unfortunately, you’ll have to catch Beverly Hills Chihuahua as it’s attached to it. I would recommend watching Destino and then going home to watch Spellbound the Hitchcock film which features 3 dream sequences as painted by Dali.
The show tracks the traffic of images, themes and ideas between Dalí’s films, both realized and not, and his more static efforts, including paintings, drawings, letters, illustrated notes, scenarios and other ephemera.
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Dalí grasped that film’s capacities — for depicting irrationality in action; for dissolving, continually mutating images; and for an intensely real unreality — were all ready-made for his sensibility and his desire to reach a mass audience.
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“Destino,” the sprightly animated short of love and loss that Dalí worked on energetically for Walt Disney in 1946 [runs continuously].